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Horror Films and Sunday School

by Gibson & Bronzini

supported by
elburgundio
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elburgundio So happy we got to make music together! Can't wait for the next one :) Thank you, my friend.
Steve Lawson
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Steve Lawson It was such an honour to play on this album - I'd already pre-ordered the album via the Kickstarter because I love everything I've ever heard from Aaron. So I got to add a solo to one tune here, but the whole album is properly amazing and a must-have. Buy this now 🙂 Favorite track: Webs (Feat. Steve Lawson and Baeilou).
jaredleesbass1
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jaredleesbass1 Incredible song writing, beautiful string arrangements, and great bass playing... This album is highly recommended!
Nicolas Golder
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Nicolas Golder Aaron Gibsons approach to "solo bassist" is beyond what anyone in the genre is doing. He manages to tell a story with his voice and rhythms that keep you on the edge of your seat.
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1.
Our hearts don’t pump inherited blood who knows, there may be joy across the sea let’s set out, let’s count the stars about full darkness falls our feet can run till our pockets are turned out and I want to settle down an apartment in a town away from streams and falling trees we can go eat Japanese and I want you to fly a plane we’ll ascend on through the rain I will say I love you and jump out and my body will survive ...if my parachute comes out lets go see the world I’m needing out, and let’s go see the world.... till our pockets are turned out and I want to grab my board surf the barrels of north shore but I would just get pummeled in that wave getting worked in the sand with my face and there'd be nothin left to save lets go see the world I’m needing out, and let’s go see the world.... we’ll shout it out lets go see the world we’ll just mess about lets go see the world lets go see the world till our pockets are turned out so what’s stopping us I can see that you’ll wander with me..... lets go see the world I’m needing out, and let’s go see the world.... till our pockets are turned out till our pockets are turned out and I’d like to join a band play in cities if I can with people holding candles in the cold dancing silhouettes under the moon but I can’t now I am old
2.
3.
Hand in Hand 04:21
4.
5.
you said you’d never say that again 
I said “it was just a minor sin”
 you said “I should smack that little smile off your face”
 I reply “no smile twas my chagrin”
 oh the webs we weave
 but what I mean is darling please don’t leave 
you said you’d never do that again
 I said “don’t lets talk in front of friends”
 but you laid out a map of all my faults for all to see could I stop theses waves from cracking our topography oh, and oh the webs we weave
 but what I mean is darling please don’t leave
 what I mean is darling please don’t leave Let the dust settle between us before you breath it in 
Time is of the essence 
every now and then but... feelings come and feelings go however, you should know What I just said, Those poorly chosen words
 they ain't retractable
 so I can’t take em back, I can’t keep em in I cannot take it back, won’t keep it in, won’t be responsible 
I cannot take it back, can’t keep it in, won’t be responsible... but then am I to think it’s over now? A hand to hold, heart to touch
 but every damn word meant so much and 
meanings come and meanings go 
I just though that you should know
 What I just said, Those few well chosen words, they ain't retractable so I won’t take em back, won’t keep em in oh I cannot take it back, can’t keep it in, won’t be responsible I cannot take it back, can’t keep it in, won’t be responsible am I to think it’s over now oh the webs we weave
 oh the webs we weave
 what I mean is darling please don’t leave you said we could spend some time that night
 I was just upset because it didn't turn out right
 a night like that left nothing for me to give
 what else did you expect but my discordant expletives? and oh the webs we weave oh the webs we weave
 what I mean is darling please don’t leave
6.
Well I lost an eye in Mexico Lost two teeth where I don't know People see me comin' and they move to the other side of the road I robbed a liquor store to make myself at home a few times Borrowed myself a car when I needed it I got me a shack at the bottom of the road Fixin' cars and givin' tows Spendin' all my money on the lottery When I win the lottery gonna buy all girls on my block A color TV and a bottle of French perfume When I win the lottery gonna donate half my money to the city So they have to name a street or a school or a park after me When I win the lottery Never run a flag up a pole Like mr. red, white, and blue down the road But I never called myself a hero for killing unknown communists Now I can walk into any old bar And find a fight without looking too hard But I never killed someone I don't know just 'cause someone told me to And when I win the lottery Gonna buy the house next to mr. red, white and blue And when I win the lottery Gonna buy Post 306 American Legion, paint it red with five gold stars When I win the lottery When the end comes to this old world The rights will cry and the rest will curl up And God won't take the time to sort your ashes from mine 'Cause we zig and zag between good and bad Stumble and fall on right and wrong 'Cause the tumbling dice and the luck of the draw just leads us on And when I win the lottery, gonna buy all the girls on my block Silver-plated six shooters and a quart of the finest highland scotch 'Cause when I win the lottery, the rights will shake their heads and say that God is good but surely works in mysterious ways When I win the lottery
7.
Full Dark 03:56
8.
9.
oh, good lord every year seem harder oh, good lord I can’t wish it away my sons and my daughters my sons and my daughters oh, daddy when will you come home over let this be over just let this be over so soon I’ve crossed this country five times in a year and I’ve have no driving songs lately I’ve been fueled by sorrow and I’ve been alone too long You set out to make gardens And all sorts of beauty came up from the ground you made us all see for once that piss can be colors that you wear around and a buzz arose in Georgia but the living could not be found I set out, and I drove through Tennessee mile after mile I am saddened but Missouri loves company and I made it to the boarder of Wyoming for lukewarm tea now I’m so far from home these Oregon sunsets now are becoming so dull now I’m so far from being young anymore and those sandhill cranes seemed more solemn then before love can wait, said no lover ever oh, honey when will you come home love can wait, said no lover ever said no lover ever no lover ever no lover ever A little bit of this claptrap is art but I can’t tell which so I guess I’ll just throw it away come back and do it over

about

Horror Films and Sunday School

credits

released January 1, 2019

Bass & Vocals - Aaron Gibson 
Guitar & Piano - Nahuel Bronzini
Violin - Abigail Shiman 
Violin - Kashi Elliot 
Viola - Luis Bellorín
Cello - Helen Newby

Produced by Aaron Gibson and Nahuel Bronzini
String arrangements by Nahuel Bronzini
Strings recordings and Mixing by Nahuel Bronzini at Airship Laboratories
Bass and vocals recorded by Aaron Gibson in VanStudio
All songs written by Aaron Gibson except 
"When I Win the Lottery" by Camper Van Beethoven.

Additional Musicians:
Steve Lawson - Bass solo on Webs 

Baeilou - Cello on Horror Films and Sunday School
and Vocal accompaniment on Webs 

Jason Everett - Bass solo on Boy 

Talitha Gibson - Vocals on Horror Films and Sunday School

Erica Zappia - Viola on Full Dark
Emily Botel - Violin on Full Dark

Audio Mastering for Digital and Vinyl by Piper Payne - Neato Mastering

Cover art by Aaron Clark

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Aaron Gibson Logsden, Oregon

Called "truly unique"and "emotionally charged" by Get it on Vinyl, and described as “Masterful” by the A&M Arts Examiner, Aaron Gibson's distinctive style of playing perfectly supports his storytelling. Aaron, along with his wife and children, have their roots in a small tribal community near the Oregon coast where his poetic pursuits permeate his songwriting, visual art and woodworking. ... more

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